Holiday greetings, FCEA community! We hope you are enjoying some relaxing time off from your studies during our school break. We wish you a beautiful solstice and New Year. In the spirit of the yuletide season, I want to share a brief example of the power of the “changing sky” in the evolutionary path of a very special writer, Charles Dickens. Now, bear with me, this will be a Christmas story and I know we have a diverse FCEA community. Try to see this case as simply a great example of planets in Capricorn at work, rather than a particular religious message. It is a timeless story that touches everyone’s heart!
A few years back, during the pandemic, I wrote about the astrology at play in the fall of 1843 when Dickens took the chance to work in solitude, very hard on a writing project, the now-famous novella, “A Christmas Carol”, AKA ‘Scrooge’. It sold out by Christmas Eve that year! Let’s look at the timing of his Capricorn “great work.” With the Sun now in the sign of Capricorn at the end of the year, maybe Dickens’ story can inspire us as we create our 2025 new year’s resolutions.
Here below is a biwheel chart showing Dickens’ natal chart (inner wheel) and the current sky at the time of publication of “A Christmas Carol” (outer wheel – set for noon). I’ve included asteroids for advanced students to consider. We always start with the natal Sun, Moon and Ascendant; Aquarius, Sagittarius and Virgo, respectively, for Mr. Dickens. The revolutionary innovator with the soul of the philosopher wearing the mask of the master craftsman. Mercury, ruler of Dickens’ chart, was in the spotlight in the fall of 1843, along with Saturn and Jupiter, rulers of Aquarius and Sagittarius.
Between October and December of 1843, when Dickens produced “A Christmas Carol,” he threw himself into an intensive writing period of several weeks. Saturn, the great “task master,” was very strong in the sign of Capricorn then. During the 6-week period, the planet formed an exact conjunction with Charles Dickens’ natal Mercury on his 5th House cusp, house of creative expression, Mercury the writer. Faster moving Mars, out of bounds, came through as well by conjunction, helping Dickens to focus his will and put into action creatively his ideas about moral and social reform, the higher octave of Capricorn, through an unconventional out-of-bounds voice. By the date of publication (shown in the biwheel chart), Mars had moved on into Pisces. When the book sold the days before Christmas that same year, Venus by transit joined Saturn in the sky, again meeting Dickens’ natal Mercury. His Capricorn Saturnine creative endeavor was well received!
During November, when Dickens was at work writing, Jupiter and Neptune in Aquarius were exactly in conjunction with his natal Sun, also in his 5th House. The universe was asking Dickens to take a chance and be the visionary writer as teacher of social justice and change. For those not familiar with the story of Ebenezer Scrooge, the primary message is about loving one’s neighbor and family first, rather than greed and selfishness, or hoarding one’s money and doing business at the expense of the heart. By the time of publication, shown in the posted biwheel chart, we see Jupiter has moved on into Dickens’ 6th house and was forming a conjunction with Dickens’ natal Chiron, the wounded healer. Dickens took his wound as the Aquarian outsider and put it to service as healer by identifying with the plight of the poor and struggling pariahs of Victorian England. Dickens, himself, was wounded in childhood as a social pariah, having to go to a work house due to his father’s debt when he was twelve.
In 1843, it wasn’t an easy time for Dickens (Saturn conjunct his natal Mercury, Pluto in Aries by transit in an exact square) and he didn’t make much money despite the book’s popularity – he actually got into a legal scuffle over it – but in the long run, what a gift it was for all of us. It transformed our notion of Christmas for generations to come. For everyone, whether we celebrate Christmas or not, December remains a season of charity and love and human connection.
What a potential in growth of Neptunian consciousness for Charles Dickens as he wrote in isolation and silence. Neptune seems to have this impact of moving the larger collective. And there the planet was sitting on his natal Sun, his solar self. He needed a vision for his creative life, as Steven would say.
When we consider the nodes of the Moon, we see a karmic pattern, like something needed to be said. The south node in the sky in the fall of 1843, fell in his 10th House, house of mission or career, and aligned by conjunction Dickens’ Jupiter in Gemini, co-ruler of his natal south node. Of course, Gemini, ruled by Mercury, is strongly associated with communication and writing. Neptune, fellow co-ruler of Dickens’ natal south node, stimulated his creative 5th house imagination with Aquarian themes, asking Dickens to cultivate his 12th house Virgo north node with a compassionate spiritual voice.
I often think about what a collective impact “A Christmas Carol” had and how its legacy is so enduring. Good ol’ Ebenezer Scrooge and his encounter with the three ghosts; I think just about everyone knows the story.
Knowing your natal chart and the potential of the “current sky” is such an extraordinary and sacred tool. Now is a good season to ask yourself, what great work is dormant in me? How in Capricorn season can I strive for my “great work” in 2025? I hope you enjoyed my story. Solstice blessings, everyone! I’m looking forward to seeing you all at the FCEA next year!
I want to begin by thanking every brave veteran of our 306 master classes. I am looking forward to our next one which begins on Monday, January 13th. Without what I’ve learned from them, I would not be able to write this little essay. This one is about “something I knew, but didn’t know I knew” – at least until I’d spent many hours helping our most advanced students expand their astrological chops.
As many of you are aware, our format in the master classes involves everyone looking at the same new chart each week. The charts are all invented – they’re not famous people. The students receive them in advance along with fictional biographies for each character. One week we’ll look at a birthchart, another week we’ll look at current transits and progressions for that same invented person. Late in the program, there’s always a synastry as we imagine two of our fictional characters falling in love. For efficiency’s sake, with the t’s & p’s and the synastry, we stick to birthcharts we’ve already studied, so we can skip that step.
The underlying idea in the master class is that each student needs to be ready for anything with that weekly chart – just like we need to be fully prepared to talk about anything and everything if a client is coming to sit with us.
We meet on Zoom for seven sessions. Students are required to attend at least four of the seven class sessions in order to pass. The FCEA is wonderfully international, but that does create some scheduling challenges. By alternating between an early-morning and a late-afternoon US West coast starting time, we make class times as accessible as possible for different time zones. Each time, either Catie or I propose a series of questions about the chart-of-the-week. The questions could be technical or they could be something we say in human terms. What about that Jupiter square Saturn? Or how would you counsel this person in terms of career direction?
I then reach into a hat, draw the name of a class member, and that (heavily perspiring) person takes it from there. Nobody knows when the fickle finger of fate is going to point in their direction. In a typical meeting, five or six people are called to stand in the spotlight. Most of the students take ten minutes or so to do their presentations, then I make some comments and usually ask some follow-up questions.
As a system, this format has worked really well. In designing it, what we were up against was our usual enemy: the clock. Ideally, each student would present a full, integrated analysis of a chart – something that would take at least an hour and probably longer. With a dozen or so people in the class, there just wasn’t enough time for that. The math didn’t lie: seven sessions times ninety minutes is only ten hours or so. On top of it, part of the teaching is me commenting on each student’s work – that’s where the “master class” dimension comes into play. And that takes time too.
That’s where our tricky method enters the picture: each student has to be ready to present a full chart analysis at any given moment – they just don’t know in advance which part of the chart they’ll be asked to discuss or even if “today is their day.”
We keep it friendly and supportive, of course – we’re the FCEA! But you can probably see why I referred to the brave veterans of our 306 classes at the beginning of this essay, not to mention their perspiration. No matter how nice we are to each other, it’s still a high pressure situation.
All in all, I’ve been delighted with the performances of our students. By the time they complete 306, they are well on their way to being graduates of our school and every one of them is worthy of that honor. They’ve mastered the technicalities. They are capable of representing the best of evolutionary astrology. They can carry the flame forward, and for that I can only thank them.
For those triumphant students, the only thing that lies ahead is practice, practice, practice. They’ve internalized the nuts and bolts of our system. Now they need to find their own voices.
In listening to the presentations of these students, I realized that there was one consistent piece of advice that I could give most of them – something that would help their future clients to follow what they were talking about more easily. It was the “something I knew, but didn’t know I knew” that I referred to at the beginning of this little essay. More to the point, it was also something that was often missing in our students’ presentations.
That missing piece is my subject here. I am calling it planetary on-ramps.
GETTING ON THE HIGHWAY
We’ve all either been behind the wheel or riding shotgun when the time comes to join the hurtling traffic on a crowded freeway. We accelerate up the on-ramp hoping for a hole in the screaming mass of moving metal. Often it’s a nail-biter. When it comes to actual driving skills, merging with speeding traffic is a high-stakes test, something far more challenging than just cruising down the highway. That’s why we breathe a sigh of relief once we actually settle into the flow with the rest of the cars and trucks.
Cutting to the astrological counseling room . . .
There you are in the middle of a reading. You’ve done a good job of presenting an integrated view of the client’s Sun, Moon, and Sagittarian Ascendant. You’re about to scream up the on-ramp to their chart-ruling Jupiter. What are the first words out of your mouth? They better be good. You’re about to set the tone for a fresh, major chapter of your presentation.
You understand Jupiter. You’ve burned the midnight oil in your FCEA studies. Intellectually and conceptually you are prepared. Your client is intelligent and open-minded – but pig-ignorant when it comes to what Jupiter signifies. How do you get that part of the conversation off on the right track? How do you make sure that the client’s mind is attuned to Jupiter’s wavelength?
Where is the on-ramp?
Maybe you say, from the evolutionary perspective, the big questions with Jupiter are how have you been underestimating yourself? How have you sold yourself short? Where have you been settling for too little?
See what happens when you open with those familiar words? Instantly, the client’s mind is set on the right questions. Their mental radio is tuned to Jupiter’s channel. You’ve set the correct tone. With those leading sentences, you’ve established a context for everything that will follow.
For each planet, we can create similar “on-ramps.” In each case, there are many possibilities. In a moment, I’ll make a suggestion for each one of them – but, remember, these are just suggestions. You can certainly come up with others and I encourage you to do that.
Nothing that follows will sound new or surprising. It’s all stuff you’ve heard before, much of it back in the 100 courses when you were learning the astrological basics. The point is that these verbal “on-ramps,” even though they reflect astrological theory, are really about the art of astrological counseling – which is always about building and maintaining a linguistic bridge of rapport, connection, and mutual comprehension with our astrologically-naive clients. Think of these on-ramps as a way of holding your clients’ hands as you lead them into the deep dark forest of astrological symbolism.
Let me reiterate that memorizing and using the “on ramps” that follow is a good starting point, but there are many others waiting to be created – or already lurking in the various FCEA teaching materials that you’ve studied.
SAMPLE ON-RAMPS
With the Sun, you might open by saying, “Taking care of the Sun is the secret of sanity. Make a priority of the basic values we’re about to explore and you’ll feel centered, grounded, and confident that you are on the right track in life.”
With the Moon, you might open by saying, “Taking care of the Moon is the secret of happiness, well-being, and maintaining a generally good mood. Meet the needs that we are about to discuss and you’ll beat back the blues every time.”
With the Ascendant, you might open by saying, “Following the path of your Ascendant helps you align your outer life with the actual intentions of your soul. It helps you “get your act together,” in other words. It helps you become the person whom you were always actually meant to be.
With Mercury, you might open by saying, “Mercury is the messenger of the gods. It’s about helping you find your true voice. More critically, it’s about a set of perceptions – things you need to focus on learning – in order to get there. And then there’s the Grand Prize: when you speak with your true voice, people will really listen to you.”
With Venus, you might open by saying, “For you, certain kinds of people are like triggers or catalysts for your evolution. Here’s how to recognize those people – and how to avoid the ones who’ll just waste your time, or worse.”
With Mars, you might open by saying, “Mars is the god of war – and there is one virtue that warriors esteem above all others. That’s courage – and where Mars lies, you’re going to need it! In this area of life, you’re getting a crash course in assertiveness. You can be the hunter or you can be the prey. The choice is yours.”
(We looked at Jupiter earlier in this essay.)
With Saturn, you might open by saying, “Saturn often gets a bad rap, but it’s not really bad – it’s just hard. And there’s a big difference. We are going to look at a place where you were born with a blockage, but that doesn’t mean you have to die with it too. The Great Work of your life lies in making a big breakthrough here. You can succeed, but it will require relentless effort and self-discipline. And it’s worth it.
With Uranus, you might open by saying, “Who would you be if you had been born with a different mother or father? More generally, think of all of the external forces that have shaped you – and maybe misshaped you. Uranus is the guardian of your true individuality – and a place where you will have to fight your way to the kind of true self-knowledge that’s the only path to real freedom. It’s also a place where you’ve probably gotten a lot of well-meaning bad advice, and that’s a problem we’ll need to straighten out.”
With Neptune, you might open by saying, “Neptune is the god of the sea. What it really means is the sea of consciousness itself – the sea into which we dive when we meditate or dream. When it comes to spirituality, everyone’s path is different. Here’s yours – here’s your doorway into the mysteries.”
With Pluto, you might open by saying, “Pluto is the lord of the underworld” – also known as, “the god of hell.” It’s a place where you’ve been hurt, maybe in a past life, maybe in the present one, maybe in both. To heal the wound, there’s a hurt place that you need to see clearly in yourself. It’s also a place where, if you get it right, you can claim your true power.”
WHY ARE THESE ON-RAMPS SO MISSION-CRITICAL?
If we open our discussion of each planet with these kinds of simple “on-ramp” statements, our clients’ attention is instantly aimed in exactly the right direction. They know precisely what we are talking about and they mentally file everything that you are about to say under the correct headings.
You’ve successfully set the right tone and they are now ready to absorb the details of their evolutionary strategy.